Creative Cabin available now

I wanted to share my very first customer review for my new training venture at the Creative Cabin by motion graphic designer extraordinaire, Phil Bearman. The Cabin’s available for booking now for motion graphic designers and artists who want space and quiet to be creative.

Training with Angie Taylor at the Creative Cabin

April 2, 2014

Creative Cabin

Like many motion graphics designers, I’m entirely self taught. In the early years of my career I spent a lot of time following tutorials, reading the Meyers’ fantastic books, and watching Total Training videos, alongside doing a lot of experimental work in After Effects.

10 years later, and I’ve been fortunate to build a successful business which has kept me very busy and earning a comfortable living throughout.

When you stop learning, your work can start to look tired and repetitive

I’m a firm believer that you should never stop learning, and with software applications as mature and ‘deep’ as After Effects there’s always something new to discover. Unfortunately the downside to being very busy all of the time is that it’s difficult to find time to learn. When you stop learning, your work can start to look tired and repetitive, and you can end up working on ‘auto pilot’ which is both boring and unsatisfying.

Whilst browsing Facebook recently, I landed on Angie Taylor’s page, and one of her posts was promoting something called the “Creative Cabin”.

For those who aren’t familiar with Angie, she is a long-established motion graphics designer who has become well known for her teaching, through books, video tutorials, seminars and classroom teaching, as well as being a regular contributor to community forums.

The Creative Cabin is a residential studio space near Brighton, UK, which Angie has set up. The studio can either be booked as part of a one-to-one training course with Angie or purely as accommodation, providing a space for you to work on creative projects away from your usual working environment which can be a great boost to creativity.

IMG_9878

The Creative Cabin appealed to me in three ways:

• Firstly, as an opportunity to take a break from work (as with many self-employed people, I don’t take nearly enough holiday time!)

• Secondly, to do some much needed learning to reinvigorate my passion and creativity, away from the pressures of deadlines, emails and the phone ringing

• Thirdly, to spend some time talking with a fellow motion graphics designer.

Unlike the USA, with it’s many “After Effects User Groups”, the UK doesn’t really have a social scene for motion graphics

Although I’ve been ‘in the business’ for 10 years, I’ve never actually spent any time in the company of fellow motion graphics designers. Unlike the USA, with it’s many “After Effects User Groups”, the UK doesn’t really have a social scene for motion graphics and this makes it difficult to meet other designers if you are self-employed. So the closest I’ve come to socialising is via the online forums, which just isn’t the same as being face-to-face with somebody.

Creative Cabin accomodation

So I booked a two day course at the Creative Cabin and a few weeks later took a train from Manchester to Brighton. From here I took a short bus journey out to the Creative Cabin which is actually situated out of town, slightly further along the coast. Before getting down to work, Angie showed me around the newly refurbished studio which has a picturesque view out over her garden to the sea.

The studio is equipped with basic cooking facilities to allow self-catering (sink, fridge, combi microwave oven), a comfortable double bed, and shower room with underfloor heating, plus there’s an outdoor patio area so you can sit and enjoy the garden and sea view.

At the ‘business end’, there is a large desk which you can either set your own computer up on, or use a provided Mac which has the Adobe Creative Collection installed along with Cinema 4D.

Prior to arriving, I had discussed my requirements with Angie by email. I knew Angie was experienced at 2D character animation, which is an area I’ve shied away from in the past but needed to master for a forthcoming project. So I brought some illustrated characters with me, and together we worked through bringing them to life in After Effects, starting with preparing the artwork in Illustrator, then breaking it down and animating the various components using a combination of methods.

Despite ten years of using After Effects, there were still loads of little AE tips and shortcuts that I picked up from Angie over the course of the two days, but where I actually gained most was from what Angie taught me about using Illustrator.

I’ve been using Illustrator for as long as I’ve been using After Effects, but have only scraped the surface of what it’s capable of – I’ve never explored its features properly (always wanting to jump back to After Effects at the soonest opportunity!) and was really excited to discover just what is possible with Illustrator when you delve in a bit further.

We also did a bit of training in Cinema 4D – another package I’ve been using for years, but only as a secondary tool to AE, so had a list of ‘weak areas’ which we explored.

she’s a great teacher, and has a warm, friendly personality which immediately puts you at ease

I found Angie extremely easy to learn from and get along with – she’s a great teacher, and has a warm, friendly personality which immediately puts you at ease (important when you’re going to spend two days sat at a desk together!). An added bonus is her Scottish East-Coast accent which, as anyone who has watched her tutorials video will know, is very easy on the ears!

Cliff-top view in Peacehaven close to the Creative Cabin

Stunning cliff-top view on my morning run

In the evening I decided it would be nice to try one of the local pubs for dinner, as recommended by Angie, and she was kind enough to give up her evening and join me for dinner. We had a great chat about how we’d got into the industry, the highs and lows of being a self-employed motion graphics designer, and discovered shared interests (DJing, cooking and gardening) which gave us plenty to chat about. It was really refreshing to chat to somebody about work without fear of boring them(!) and who had been through all the same kind of experiences along the way. The food was also good, as promised!

I like to go for a run first thing in the morning (an essential stress-buster and counter-balance for the sedentary day sat in front of a monitor) – the Creative Cabin is situated close to a cliff-top, which provided a picturesque route for jogging and fresh sea air – a perfect start to the day!

I came away feeling relaxed, refreshed, and rejuvenated

My two-day stay was everything I hoped it would be – I came away feeling relaxed, refreshed, and rejuvenated, excited to use the new skills and tricks I’ve picked up from Angie. It’s been a pleasure to meet her and we will undoubtedly keep in touch.

I would recommend Angie and the Creative Cabin to anyone who wants to sharpen up their creative skills – whether you’re a complete novice, or an experienced professional – or to anyone who wants a change of scenery to work on a creative project, and I wish Angie every success with this new venture.

http://creative-cabin.co.uk/

http://angietaylor.co.uk/

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Getting Started with After Effects Expressions

ae_expressionsI’m so excited to announce my new course, Getting started with After Effects Expressions which came out on the 20th of February. Even if you’re not comfortable with scripting or coding, you may still want to take a look at After Effects expressions.

About The Course

Expressions are like little scripts that trigger changes to layer properties, and they can save you time, make your work more flexible, and open up new creative possibilities. In this course, motion graphic designer Angie Taylor shows you how to make Adobe After Effects expressions work for you, starting with building expressions with the pick whip. Then she introduces JavaScript-based math expressions, which allow you to adjust timing and movement, and her favorite “no brainer” expressions, such as property linking and connecting camera focus to layers. Plus, discover how to react to sound, play with color, format text, and link 2D and 3D properties.

Topics include:

  • What are expressions?
  • Creating and applying expressions
  • Linking expressions to layers with the pick whip
  • Simplifying expressions with variables
  • Working with JavaScript math functions
  • Creating looping animations
  • Randomizing values
  • Converting expressions to keyframes
  • Creating keyframes from audio with expressions
  • Controlling 2D effects in 3D space
  • Converting color from RGB to HLS
  • Formatting strings and text

 

Free Trial Subscription

For those of you who have never tried out lynda.com training here’s access to a 7 day trial subscription. With this you can watch my entire training course as well as any other  lynda.com titles by me and other authors, completely free of charge!

7-day free trial

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Up and Running with Cinema 4D Lite for After Effects

Intimidated by 3D modeling packages? Dip a toe in the water with CINEMA 4D (C4D) Lite, a slimmed down version of CINEMA 4D included with After Effects CC.

Welcome

Motion graphics designer Angie Taylor shows you how to build a complete sequence in C4D Lite, progressing from initial object modeling, to animation, lighting, camera rigging, texturing, and final render. Here’s the movie you’ll create;

 

 
Plus, learn to animate text, create random movement with wiggle expressions, track cameras in live-action footage to add new 3D elements, and light your scene. Angie also round-trips the project files to After Effects for visual effects and color correction. With over 100 videos, this course allows you to explore almost every aspect of 3D motion graphics creation, within this accessible introductory tool.

Topics include:

  • What is CINEMA 4D Lite?
  • Understanding the CINEMA 4D Lite and After Effects CC workflow
  • Editing primitive objects
  • Spline modeling with NURBS
  • Animating with keyframes
  • Using Xpresso to link properties
  • Importing music and soundtracks
  • Creating and animating cameras
  • Working with text
  • Scripting
  • Creating and applying materials and textures
  • 3D camera tracking
  • Compositing layers
  • Lighting with visible lights and ambient occlusion
  • Adding visual effects in After Effects
  • Rendering in After Effects and the Adobe Media Encoder

 

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Cinema 4D at IBC 2013

See me demo Cinema 4D R14 and After Effects CC at IBC 2013 and also experience CINEMA 4D Release 15 Live!

From Sept. 13 – 17, 2013, exhibition hall 6, booth C19, RAI convention center, Amsterdam
I’ll be showing CINEMA 4D R14 and After effects CC integrations at the MAXON booth at IBC 2013.

I’m proud to be included in a list of internationally renowned experts who will also be appearing at the MAXON booth every day with very interesting presentations and demonstrations covering a wide range of topics. An agenda and information about the speakers can be found here.

I’ll be showing tips and techniques from my Lynda.com training workshop “Up and Running with Cinema 4D Lite” where she builds a robotic animation, inspired by Beeple and uses the After Effects Cineware plugin to perform post production tasks on isolated layers from the Cinema 4D scene.

Each day we will be giving away fantastic prizes with a total value of more than €10,000. The main prize is an NVIDIA Quadro K5000 high-end graphics card worth more than €2,300 and a commercial CINEMA 4D Broadcast license, which will be given away to one lucky winner*.

This is where you’ll find MAXON:

At this year’s IBC we’ll be in hall 6, booth C19

Here’s a map of the exhibition floor!

The MAXON speaker schedule:

An overview of the individual speakers, their topics and the entire schedule as a whole can be found here.

I’m looking forward to seeing you at IBC!

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